William Brosnan – Character in the Auld Irishtown trilogy
“They’re comin’ now, just slow. Gatherin’ up like a giant swell, they’ll swallow ye like the great suck o’ the ocean and leave ye bathin’ in a welter o’ yer own blood and bones, all o’ ye. Oh they’re comin’, sure enough. Slow and sure o’ themselves.”
William Brosnan (b. 1864, Dublin), also known as the Tunic, is a detective with a dark past and father-in-law to eager, blackjack-swinging Patrolman Daniel Culkin. While his young wife was giving birth during the Great Blizzard of 1888, Brosnan was on patrol in Irishtown when he found a baby in the rubble of a fallen tenement. He desperately ran the baby to a hospital, where he found out his wife died during childbirth. Moments later, he was told the baby he found in the fallen tenement survived. Despondent, Brosnan came to believe that a darkness followed him. The baby he saved turned out to be Garry Barry, the grimmest, most malevolent of street urchins. Barry, Brosnan believes, is a wraith and has a role to play in the dark, pre-Christian prophecies he heard as a boy back in Ireland, “When the veil between life and death is thinnest during the storms of dawn, we are exchanged like pieces on a chessboard.” Brosnan concludes that his wife’s life was taken for Barry’s to fulfill a prophecy that has its origins in Ireland’s Great Hunger (potato famine) where “the keening songs of the banshees croon hastens an ascension, like the rising of the moon.” A single father, Brosnan raised his daughter on a patrolman’s salary until she married the eager Culkin. Since Barry was reported to have died in 1918 of injuries from a White Hand gang beating, Brosnan’s superstitious fears were allayed. But in 1919, during the “Storm of Slanting Snow,” Culkin finds Barry alive. Shaken again, Brosnan is convinced another death must be exchanged for Barry’s life and worries it’ll be Culkin. Or worse, as his daughter is pregnant.